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i could go on for 40 days and 40 nights about my blog title and bore you to bits and pieces with 10,000 different ideas i actually had for the name of this blog but because of the 500 characters limit that is imposed upon this mechanism which, by the way, is supposed to promote free speech, i shall shorten it to just two words basically describing what the hell this is all about and who this hell belongs to. |
Saturday, January 12, 2008
how to link poetry and liver together in a single sentence
i've always attributed the same set of sentiments for both poetry and liver: a certain sort of disdain, accompanied with distasteful faces and perhaps thoughts such as 'What is this shit?' or 'What in God's name is this?' that was what i was prolly thinking of when my mother fed me my first piece of liver at the tender age of five. it was from a packet of mee pok (fish balls with flat yet curly noodles, sometimes with pieces of nondescript meat thrown in for added value) of course, i hadn't learnt modern day descriptive language like 'shit' back then, so words like 'eeeeee' and 'yucks' aptly describe what i must have been thinking. none the less, after twenty-three years of living in this good Earth, i still have not understood how people can bring themselves to eat liver and listen to poetry. it's admittedly, like cat food and bestiality, an acquired taste. frankly speaking, i blame it on our education system in Singapore and its obsessive need to break down enjoyable 'O' level subjects into no more than ten-year series questions. you see, i've always enjoyed literature. this comes from a childhood of endless amounts of reading Enid Blyton and Encyclopaedia Brown. it wasn't till secondary school that i had a really inspiring literature teacher who constantly asked me cheem questions whenever i submitted my book review assignments. there was this one time when i did a review of Tolkien's The Hobbit. it was nothing more than a fantasy novel to me, and a really good one, i must add. in the review assignment, i wrote about how i was 'thrilled to discover Bilbo Baggin's impromptu heroics despite the fact that he was involuntarily thrown into war'. when she handed me back the assignment, she asked 'So what do you really think about The Hobbit?' my young and unmoulded mind could only think of two answers to such a question: 'Ok lor' or 'Good lor'. i answered with the latter. with a slight look of disappointment on her face, she then suggested to me, 'true, Tolkien did liken the story to the First World War, that's good. but did you notice that he also emphasized on the individual growth of Bilbo himself? and he contrasted that against the thirteen dwarfs that were with him.' i likened it to a moment of revelation, just a notch lower than enlightenment. from that day on, that was my 'O' level answer whenever people ask me about The Hobbit. 'individual growth' and 'WWI heroics'. i guess i was trained in such a way that providing a standardized 'O' level question to every question in the world, one could never go wrong. so you see, literature which was a lovely subject worth studying was marred by education. all i could think about was how to present the literary text in question, in a way that gets me the most marks for my preliminary exams. how i can tackle the 'O' levels and discover the various themes throughout the text and the various ways the writers uses puns, metaphors and etc. alas, the 'O' levels never did feature poetry, just plays and classics. so the school had very little emphasis placed on poetry. we did do a quick run-thru of Wordsworth's Daffodils, but that was all. it's a pity that i never got to understand what the big hoohah is over the great poets and their works. i did try when i was twenty-one, but poetry seems to pale in comparison to plays and stories. the damage has been done, i guess. you can throw me 'The Raven' and i can give you a great wikipedia answer about its gothic roots and many parodies in modern day culture. none the less, the reason why i'm suddenly writing about poetry in perhaps that i felt inclined to start writing a poem after something that happened in the course of last week. i had a fleeting encounter with an acquaintance of mine that lasted no more than three seconds at best. but three seconds are enough to get you thinking about the past and apparently, inspire poetry in me. so, here's the poem: 'tis an acquaintance of my youth aye, in a corridor of life and death paths intertwined for a moment brief a faint proof of acquaintanceship didst crack upon our lips and paths cross'd nary to meet again never did i see the grief beneath that facade of crack'd lips this may come across as really bad poetry, and OKAY, it is bad poetry. like what in the world is that about cracked lips? and where's the rhythm and pattern? throw all the rotten tomatoes and organic vegetables you want. well, just don't fling those pieces of liver at me. 12 Comments:
This comment has been removed by the author. Yoz pal, heard about the 'tur kwa' clip on the Mr Brown's show way back in 2006? Hi Jon, Yuck... I don't like pig liver too... Can't learn how to appreciate pig organs like other people... I believebe u are referring to fish balls and not first balls or wat other balls were u referring to? hahaha hi Jon Well, all that "tis", "nary"...I think you have yet to find your own natural voice. Besides, I like liver. Always loved liver honestly! I could cook up liver in a pot and finish the entire thing ( only to end up nauseated later but that's something else entirely ). Hi Jon suzanne: yeah i heard about the 'tur kwa' thing. same gender ain't always easy. hiding in the shadows to have sex. having to pay for transit rooms. constantly afraid that your partner cheats on you and hands you over a plate of disappointment and STDs. who said being gay was easy? Jim Anderson says. Yes, only the Chinese. But that doesn't mean that all Chinese can bring themselves to gulp down those organs... <--Home |
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